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One day, Madhu runs away with Raja. Eventually, Rana pretends to give in and accept Raja into the family. When Raja leaves the city for a few days, Rana invites Birju to stay at the Garewal mansion. While he is there, they have one of their assistants dress up like Birju and break into Madhu's room at night and pretend to attempt to rape her.
Madhu duly screams that Birju is trying to rape her. The assistant quickly escapes; the room is only dimly lit before Madhu can see his face. Rana and Vishwa call a mental hospital and force Birju into it. Raja is now forced to choose between believing Madhu's and Birju's words. He chooses to believe his brother's protestations of innocence and breaks up with Madhu.
However, he still deeply loves her, and it is now up to him to dig for the truth and figure out what happened to Madhu on that fateful night. In the end, Raja gets hold of the assistant who dressed up as Birju and extracts a confession from him. In the process, he has an accident and is critically injured. Birju goes to Madhu asking her to save him, but she insults him. Rana's wife Rita Bhaduri tells the truth to Madhu. Madhu is so shocked to hear that her own brothers set up her rape that she leaves them and is on the verge of going to Raja's house.
Rana realises his mistake and begs forgiveness, but Vishwa doesn't accept and starts beating Madhu and Rana. Raja comes and saves everyone. He marries Madhu in front of everybody. In the final scene, Rana and Vishwa come to Raja's house and beg the trio for forgiveness. They forgive the brothers on the condition that they bless the marriage of Raja and Madhu. The songs were composed by Nadeem-Shravan , while the lyrics were penned by Sameer.
The album went on to become the second most sold Bollywood album of And the same tune was in film Humraaz. From Wikipedia, the free encyclopedia. They were married while yet in their early teens to two gentleman from suitable aristocratic families. It was the Junior Rani, Sethu Parvathi Bayi , who gave birth to the much-awaited heir in , exactly a day after her sixteenth birthday. Incidentally, her husband was a grand-nephew of Raja Ravi Varma and belonged to Kilimanoor.
The newborn child was the future Maharaja Chithira Thirunal , the last ruling Maharaja of Travancore. Meanwhile, the Senior Rani Sethu Lakshmi Bayi , daughter of Mahaprabha Amma, and Regent in the period also gave birth to two daughters later in life in and In this way, the entire present existing royal family of Travancore is descended from Raja Ravi Varma. Varma was patronised by Ayilyam Thirunal , the next Maharaja of Travancore and began formal training thereafter.
The British administrator Edgar Thurston was significant in promoting the careers of Varma and his brother. Varma's paintings were also sent to the World's Columbian Exposition held in Chicago in and he was awarded three gold medals. He often modelled Hindu Goddesses on Indian women, whom he considered beautiful.
Ravi Varma is particularly noted for his paintings depicting episodes from the story of Dushyanta and Shakuntala , and Nala and Damayanti , from the Mahabharata. Ravi Varma's representation of mythological characters has become a part of the Indian imagination of the epics. He is often criticized for being too showy and sentimental in his style but his work remains very popular in India. Many of his fabulous paintings are housed at Laxmi Vilas Palace, Vadodara. Madhava Rao , Ravi Varma started a lithographic printing press in Ghatkopar , Mumbai in and later shifted it to Malavli near Lonavala , Maharashtra in The oleographs produced by the press were mostly of Hindu gods and goddesses in scenes adapted mainly from the Mahabharata , the Ramayana and the Puranas.
These oleographs were very popular and continued to be printed in thousands for many years, even after the death of Ravi Varma. The Ravi Varma press was the largest and most innovative press in India at that time. The press was managed by Varma's brother, Raja Varma, but under their management, it was a commercial failure. By the press was deeply in debt and in , the press was sold to his printing technician from Germany, Fritz Schleicher.
Schleicher continued to print Ravi Varma's prints but later employed less talented artists to create new designs. Schleicher also broadened the product of press to include commercial and advertisement labels. Under the management of Schleicher and his successors, the press continued successfully until a devastating fire destroyed the whole factory in Many of Ravi Varma's original lithographic prints were also lost in the fire.
A college dedicated to fine arts was also constituted in his honour at Mavelikara , Kerala. Raja Ravi Varma High at Kilimanoor was named after him and there are many cultural organizations throughout India bearing his name. In , the crater Varma on Mercury was named in his honor. Raja Ravi Varma is sometimes regarded as the first modern Indian artist due to his ability to reconcile Western aesthetics with Indian iconography.
The Indian art historian and critic Geeta Kapur wrote,. Ravi Varma is the indisputable father figure of modern Indian art. Naive and ambitious at the same time, he opens up the debate for his later compatriots in the specific matter of defining individual genius through professional acumen, of testing modes of cultural adaptation with idiosyncratic effect, of attempting pictorial narration with its historic scope.
In his essay "Ravi Varma in Baroda," Sheikh asserted that Varma was a key figure in the establishment of Indian modern art, claiming that "the story of contemporary Indian art was never the same after Ravi Varma had entered it.
He left his imprint on almost every aspect of it. However, Ravi Varma's legacy is controversial. Fellow Baroda School artist and art historian Ratan Parimoo saw Ravi Varma in a less favorable light, derogatorily referring to him as kitsch and claiming Varma's work was less spiritually authentic than folk art and tribal art.
He argued that Ravi Varma was responsible for the "vulgarity" of popular art, comparing Varma's work to the lurid colors and sexuality of popular images in calendar art and films. Despite his controversial legacy, Ravi Varma continues to be an important figure for modern and contemporary Indian artists.
For example, celebrated modern artist Nalini Malani recreated Ravi Varma's Galaxy of Musicians in her video installation Unity in Diversity to interrogate Ravi Varma's idealistic nationalism. The following is a list of the prominent works of Ravi Varma.
On the anniversary of what would be his th birthday, Google Arts and Culture released over of his works online for everyone to view. Sri Rama conquers Varuna from Ramayana. Damayanti from Mahabharata. Shantanu and Satyavati from Mahabharata.
Simhaka and Sairandhri from Mahabharata. Jatayu wars with Ravana. Geevarghese Gregorios of Parumala. From Wikipedia, the free encyclopedia. Indian painter from Kerala. Kilimanoor , Travancore. Attingal , Travancore. Sri Shanmukha Subramania Swami. Tilottama , chromolithograph, Galaxy of Musicians. Sociology of Indian art. Rawat Publications. Swamy 28 April Spectrum—The Tribune. Retrieved 28 October The Hindu. Retrieved 18 April Random House India. Cambridge University Press.
San Rafael, California: Mandala Publishing. Retrieved 4 August New Delhi: Tulika. Retrieved 22 August Asia Art Archive. The Times of India. Art Gallery of New South Wales. Retrieved 28 April Raja Ravi Varma category. Akkitham Narayanan A.